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Self PortraitWell, this Saturday I had a wedding (reception) shoot. Although I got some great moments, I was very, very unhappy with my lighting. The Nikon SB-50DX just didn't have the oomph to light up the room like I needed. So I went ahead and purchased a new flash, the SB-800.

In shooting a wedding reception, it's important to capture the feel of everyone having a good time. The problem with this one was the number of people versus the size of the room they were in. Since Charley wreaked havoc with us here in Florida, many people couldn't show up so there was a lot of space left wide open. I had a hard time taking pictures of people that didn't show the empty room.

To compensate for this, I had to zoom in fairly close. I've got a lot of head shots because that was the only way to fill up the frame. One thing I have to work on is taking much wider angle shots, but this was not the party to try that with. Even the over the head type shots just weren't populated enough to be effective.

Another really annoying problem was the back of the room where the DJ was which was a solid black alcove. A black wall will suck up almost any available light you have. On a few occasions I got a shot that used the black as a nice background, but there were many shots where I had both this huge black wall and a bright window. My light meter got a migraine and gave up.

All in all I had some good shots albeit very dark. With the new flash and a diffuser, I should be able to handle bad lighting situations a little better. I'm sure the wife is going to get tired of the practice sessions that will soon occur.

rolled out on Wednesday, August 18, 2004 2:40 PM
Comments
# RE: Wedding Work - Paul

Rolled Out On: 8/19/2004 12:08 AM

Robb,

To brighten up those dark areas you need a second light source or a prime lens and a slow shutter speed.

Both things us professionals use! : )

Good luck.

P.S. Thank you for your service to our country.

# RE: Wedding Work - Robb Allen

Rolled Out On: 8/19/2004 8:16 AM

The lens I'm cool with. Since I've just basically started with the whole 'shooting for money' thing the finances are rather tight so the prime will come later although I did find a wonderful used 50mm 1.8 from Camera that I might snag sometime in the near future. 50mm with a 1.5x multiplier makes a decent portrait lens.

My business model right now is to provide secondary coverage at events. I've yet to do a wedding solo and I'd poop my pants if I had to do formals. My style is photojournalistic.

Because I'm not 'raking in the dough' with this yet, the secondary light source is not feasible. Not only would I have to purchase the equipment but I'd also need someone to assist me in assuring that they are in the right places at all times.

Finally, I'm going to work on rear sync practice over the weekend so I can get the feel of what 1/30 will do for me. I've been generally shooting at 1/60 but not rear synched so I get a few shadowy trails behind people that are annoying because at 1/60, they tend to look like outlines.

Thanks for the tips. This is why professionals (and I'm not there yet, but close!) get the big bucks and also why you should never use anything but for an event as important as a wedding!

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